We project managed the event and did the live camera mixing to screen and brought in and ran the camera crew.

The kit was supplied by QED through Pod Bluman and they generously gave us 2 x 18k Christie HD projectors and a grassvalley mixer which was supported by an Edirol vision mixer.

All the crew and equipmment were provided free of charge.

full details explaining the setup can be seen here:

As Described, in our roles of AV Management and Visual Programming have covered all key areas of the event’s technical  and creative video provision and associated artist visual logistics.

This comprises implementation of projector and screen set ups , looking after artist tech riders, provision of crewing across numerous stages, and Main Stage (multi- screen) LED wall installation.

We have also supplied live camera crew /  IMAG facilities to the outdoor stages and in our role as Visual Programmer source internationally renowned visual artists to perform live sets to the music programme,

The footage was supplied to us and we implemented a system taking midi signals from Abelton and syncing it to the preprepared footage that was run on a seperate visual laptop.

The audio and video were then controlled by Jon.

Barco HD 18k projectors (in hot back up) were used with HDCAM playback via Image Pro. Additional comfort monitors were provided for all band members and the orchestra, including a bespoke countdown timing flag for Jason to lock his Pro-Tools session to.

A full standing ovation by the audience greeted the end of this magical film and live score.  It was an absolute pleasure to work with Leander and The Cinematic Orchestra, and to have to opportunity to demonstrate the true depth of this films clarity and the film makers vision in glorious High Definition.